Summary of the two main discourses related to the librarians' work, their collections and cultural capital
| Optimism | Hesitation | |
|---|---|---|
| Work | “ACM removes redundant tasks from librarians, saving time for professionally rewarding tasks” | “ACM has deprived librarians of their most pleasant tasks, particularly book selection” |
| “By taking power away from individual librarians, ACM makes selection work more democratic” | “ACM has taken ownership from librarians regarding their collections” | |
| Collections | “ACM makes collections circulate more rapidly and efficiently and takes the best out of them” | “ACM disfavours slowly circulating materials, such as classics or small-scale or niche materials” |
| “ACM is more neutral and reliable than humans in knowing what patrons want” | “ACM reinforces the tastes of the masses; collections compiled by professionals are of higher quality” | |
| “ACM is hyperfunctional and removes the need for large collections” | “ACM might remove the need to become exposed to different kinds of materials in the library” | |
| Definitions and justifications of cultural capital | ACM can make libraries true “comfort zones” for the patrons and adapt perfectly to their tastes and existing cultural capital | By echoing patrons' existing tastes, ACM pushes public libraries further from offering versatile materials useful for developing cultural capital |
| ACM embraces efficiency ideals and can help defend public libraries in an era of cuts in the public sector | There is a risk that ACM will end up narrowing collections towards more commercial and popular materials | |
| Public libraries should build cultural capital by offering patrons materials that assuredly fit their existing tastes | Public libraries should build cultural capital by exposing patrons to a broad and rich variety of cultural objects |
| Optimism | Hesitation | |
|---|---|---|
| Work | “ACM removes redundant tasks from librarians, saving time for professionally rewarding tasks” | “ACM has deprived librarians of their most pleasant tasks, particularly book selection” |
| “By taking power away from individual librarians, ACM makes selection work more democratic” | “ACM has taken ownership from librarians regarding their collections” | |
| Collections | “ACM makes collections circulate more rapidly and efficiently and takes the best out of them” | “ACM disfavours slowly circulating materials, such as classics or small-scale or niche materials” |
| “ACM is more neutral and reliable than humans in knowing what patrons want” | “ACM reinforces the tastes of the masses; collections compiled by professionals are of higher quality” | |
| “ACM is hyperfunctional and removes the need for large collections” | “ACM might remove the need to become exposed to different kinds of materials in the library” | |
| Definitions and justifications of cultural capital | ACM can make libraries true “comfort zones” for the patrons and adapt perfectly to their tastes and existing cultural capital | By echoing patrons' existing tastes, ACM pushes public libraries further from offering versatile materials useful for developing cultural capital |
| ACM embraces efficiency ideals and can help defend public libraries in an era of cuts in the public sector | There is a risk that ACM will end up narrowing collections towards more commercial and popular materials | |
| Public libraries should build cultural capital by offering patrons materials that assuredly fit their existing tastes | Public libraries should build cultural capital by exposing patrons to a broad and rich variety of cultural objects |
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