The average perceived importance of modes of music information categorized per music student group
| Docmus students focusing on music performance (n=6) | Phase I (avg.) | Phase II (avg.) | Change in avg. |
| Iconic representations of music | Very important (2.6) | Very important (2.6) | +0 |
| Music making as the first mode of enactive representations | Important (2.2) | Important (2.5) | +0.3 |
| Receiving music as the second mode of enactive representations | Important (2) | Important (2.5) | +0.5 |
| Ideological models of music as the second mode of symbolic representations | Important (2.3) | Important (2.3) | +0 |
| Other symbolic information | Important (1.6) | Important (2.2) | +0.6 |
| Technological models of music as the first mode of symbolic representations | Not that important (1.3) | Important (1.8) | +0.5 |
| Music performance students focusing on music education (incl. Docmus Student G) (n=5) | Phase I (avg.) | Phase II (avg.) | Change in avg. |
| Ideological models of music as the second mode of symbolic representations | Very important (2.6) | Very important (2.8) | +0.2 |
| Other symbolic information | Important (2.4) | Important (2.4) | +0 |
| Receiving music as the second mode of enactive representations | Not that important (0.6) | Not that important (1.4) | +0.8 |
| Music making as the first mode of enactive representations | Not that important (0.8) | Not that important (1.4) | +0.6 |
| Technological models of music as the first mode of symbolic representations | Not important (0.4) | Not important (0) | −0.4 |
| Iconic representations of music | Not important (0.2) | Not important (0) | −0.2 |
| Students of music theory and composition focusing on music analysis (n=3) | Phase I (avg.) | Phase II (avg.) | Change in avg. |
| Receiving music as the second mode of enactive representations | Important (2) | Very important (2.6) | +0.6 |
| Music making as the first mode of enactive representations | Very important (2.6) | Important (2.3) | −0.3 |
| Technological models of music as the first mode of symbolic representations | Important (2.3) | Important (2.3) | +0 |
| Iconic representations of music | Important (2) | Important (2) | +0 |
| Ideological models of music as the second mode of symbolic representations | Not that important (1.3) | Not that important (1.3) | +0 |
| Other symbolic information | Not important (0.3) | Not important (0.3) | +0 |
| Phase I (avg.) | Phase II (avg.) | Change in avg. | |
| Iconic representations of music | Very important (2.6) | Very important (2.6) | +0 |
| Music making as the first mode of enactive representations | Important (2.2) | Important (2.5) | +0.3 |
| Receiving music as the second mode of enactive representations | Important (2) | Important (2.5) | +0.5 |
| Ideological models of music as the second mode of symbolic representations | Important (2.3) | Important (2.3) | +0 |
| Other symbolic information | Important (1.6) | Important (2.2) | +0.6 |
| Technological models of music as the first mode of symbolic representations | Not that important (1.3) | Important (1.8) | +0.5 |
| Phase I (avg.) | Phase II (avg.) | Change in avg. | |
| Ideological models of music as the second mode of symbolic representations | Very important (2.6) | Very important (2.8) | +0.2 |
| Other symbolic information | Important (2.4) | Important (2.4) | +0 |
| Receiving music as the second mode of enactive representations | Not that important (0.6) | Not that important (1.4) | +0.8 |
| Music making as the first mode of enactive representations | Not that important (0.8) | Not that important (1.4) | +0.6 |
| Technological models of music as the first mode of symbolic representations | Not important (0.4) | Not important (0) | −0.4 |
| Iconic representations of music | Not important (0.2) | Not important (0) | −0.2 |
| Phase I (avg.) | Phase II (avg.) | Change in avg. | |
| Receiving music as the second mode of enactive representations | Important (2) | Very important (2.6) | +0.6 |
| Music making as the first mode of enactive representations | Very important (2.6) | Important (2.3) | −0.3 |
| Technological models of music as the first mode of symbolic representations | Important (2.3) | Important (2.3) | +0 |
| Iconic representations of music | Important (2) | Important (2) | +0 |
| Ideological models of music as the second mode of symbolic representations | Not that important (1.3) | Not that important (1.3) | +0 |
| Other symbolic information | Not important (0.3) | Not important (0.3) | +0 |
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