Exploratory model metrics
| Categories | |
|---|---|
| Data methods | How is the data collected? |
| Quantitative | Measurement activity counts figures, categories and metrics |
| Qualitative | Measurement activity gathers and analyses long-form, descriptive data, such as interviews |
| Geographic Focus | Where the measurement activity takes place? |
| Local | Measurement activity focussed on a specific area within a country, be it a single city or a region |
| National | Measurement activity focused on a specific country, exploring two or more cities/regions within a single country |
| International | Measurement activity focused on more than one country, providing cross-border comparisons |
| Motivations | Why the measurement activity is undertaken? |
| Knowledge | Produces new knowledge for a given academic field, likely related to theoretical and/or methodological intervention |
| Commercial | Produces new knowledge intended for, or for the benefit of, a particular set of economic activities. These may be directly related to live music (e.g. ticket sales) or may be associated with tangential activity (e.g. housing developments) |
| Policy | Influences/supports/informs lobbying activity at local/national/international level |
| Research focus | What the measurement activity focuses on (the location of intended benefit/beneficiaries for a particular measuring activity)? |
| Economic | Documenting/influencing/stimulating economic activity |
| Cultural | Documenting/understanding/theorising cultural meaning (aesthetic, symbolic and narrative value of live music) |
| Social | Documenting/contextualising/theorising societal factors (looking impact of live music on people, health, wellbeing, communities and individual development) |
| Funding sources | Who pays for the measurement activity? |
| Public | Funded by local councils, charitiesetc. |
| Private | Funded by industry / commercial interest groups |
| Research | Funded by Universities or research councils |
| Actors | Who undertakes the measurement activity? |
| Academic | Academic researchers |
| Industry | Commercial organisations and trade bodies |
| Civic | Government, Charities, Local Councils |
| Scale | |
| Key | Description and examples |
| 0 - None at all | Does not factor at all in this measurement activity (example: UK Music research is not funded by research council; BLMP does not have an international focus) |
| 1 - Minor | Forms a small part of this measurement activity, but one or both of the other elements are more important (example: BLMP collects some economic data; BLMP has some involvement from industry stakeholders) |
| 2 - Mixed/equal | Is on a largely equal footing with one or both of the other two elements in this section (example: Live Music Census gathers quantitative and qualitative data) |
| 3 - Major | Forms a major part of this measurement activity, but one or both of the other elements are also present (Example: UK Music mainly focussed on quantitative data; BLMP aims to inform/support lobbying/policy and produce new academic knowledge, but not research for commercial purposes) |
| 4- Total | The element represents the vast majority of focus. Some other elements may also be represented, but only in a minor role" (example: UK Music is funded by commercial interest groups) |
| Categories | |
|---|---|
| Quantitative | Measurement activity counts figures, categories and metrics |
| Qualitative | Measurement activity gathers and analyses long-form, descriptive data, such as interviews |
| Local | Measurement activity focussed on a specific area within a country, be it a single city or a region |
| National | Measurement activity focused on a specific country, exploring two or more cities/regions within a single country |
| International | Measurement activity focused on more than one country, providing cross-border comparisons |
| Knowledge | Produces new knowledge for a given academic field, likely related to theoretical and/or methodological intervention |
| Commercial | Produces new knowledge intended for, or for the benefit of, a particular set of economic activities. These may be directly related to live music (e.g. ticket sales) or may be associated with tangential activity (e.g. housing developments) |
| Policy | Influences/supports/informs lobbying activity at local/national/international level |
| Economic | Documenting/influencing/stimulating economic activity |
| Cultural | Documenting/understanding/theorising cultural meaning (aesthetic, symbolic and narrative value of live music) |
| Social | Documenting/contextualising/theorising societal factors (looking impact of live music on people, health, wellbeing, communities and individual development) |
| Public | Funded by local councils, charitiesetc. |
| Private | Funded by industry / commercial interest groups |
| Research | Funded by Universities or research councils |
| Academic | Academic researchers |
| Industry | Commercial organisations and trade bodies |
| Civic | Government, Charities, Local Councils |
| Scale | |
| 0 - None at all | Does not factor at all in this measurement activity (example: UK Music research is not funded by research council; BLMP does not have an international focus) |
| 1 - Minor | Forms a small part of this measurement activity, but one or both of the other elements are more important (example: BLMP collects some economic data; BLMP has some involvement from industry stakeholders) |
| 2 - Mixed/equal | Is on a largely equal footing with one or both of the other two elements in this section (example: Live Music Census gathers quantitative and qualitative data) |
| 3 - Major | Forms a major part of this measurement activity, but one or both of the other elements are also present (Example: UK Music mainly focussed on quantitative data; BLMP aims to inform/support lobbying/policy and produce new academic knowledge, but not research for commercial purposes) |
| 4- Total | The element represents the vast majority of focus. Some other elements may also be represented, but only in a minor role" (example: UK Music is funded by commercial interest groups) |
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