| Fig 1. | Stylometric Analysis of Ancient Rites’ Albums(Character 4-Grams). | 17 |
| Fig 1. | Appearances of the Word ‘Medieval’ in EncyclopaediaMetallum. | 37 |
| Fig 2. | Three Woodcut Engravings Frequently Used as Black Metal Album Art. Michael Furter, Demon Carrying Off a Child Promised to the Devil (1493), Unknown, Vlad Tepes Old Newspaper Cutting (1499), and Francesco Maria Guazzo, Witch Giving the Ritual Kiss to Satan (1626). | 38 |
| Fig 3. | Frequency of Lyrical Themes Used in the Albumsin Table 1. | 42 |
| Fig 4. | Common Descriptors in Online Fan Reviews of BlackMetal with Medieval Imagery, Grouped into Themes. | 43 |
| Fig 1. | Dendrogram Describing the Similarity of Twelve In Flames Albums with Each Other. | 64 |
| Fig 2. | Dendrogram Describing the Similarity of Albums byIn Flames and Schandmaul. | 65 |
| Fig 3. | Dendrogram Describing the Similarity of Albums bySeveral German Bands With and Without MedievalReferences. | 66 |
| Fig 4. | Three-dimensional Visualisation of German Bands. | 66 |
| Fig 1. | Opening of ‘Altars of Moss.’ | 154 |
| Fig 1. | Stylometric Analysis of Ancient Rites’ Albums(Character 4-Grams). | 17 |
| Fig 1. | Appearances of the Word ‘Medieval’ in EncyclopaediaMetallum. | 37 |
| Fig 2. | Three Woodcut Engravings Frequently Used as Black Metal Album Art. Michael Furter, Demon Carrying Off a Child Promised to the Devil (1493), Unknown, Vlad Tepes Old Newspaper Cutting (1499), and Francesco Maria Guazzo, Witch Giving the Ritual Kiss to Satan (1626). | 38 |
| Fig 3. | Frequency of Lyrical Themes Used in the Albumsin Table 1. | 42 |
| Fig 4. | Common Descriptors in Online Fan Reviews of BlackMetal with Medieval Imagery, Grouped into Themes. | 43 |
| Fig 1. | Dendrogram Describing the Similarity of Twelve In Flames Albums with Each Other. | 64 |
| Fig 2. | Dendrogram Describing the Similarity of Albums byIn Flames and Schandmaul. | 65 |
| Fig 3. | Dendrogram Describing the Similarity of Albums bySeveral German Bands With and Without MedievalReferences. | 66 |
| Fig 4. | Three-dimensional Visualisation of German Bands. | 66 |
| Fig 1. | Opening of ‘Altars of Moss.’ | 154 |
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