| Fig. 2.1. | Three Spheres of Sustainability. | 13 |
| Fig. 2.2. | Fast-Fashion Production and Consumption Cycle Impact. | 14 |
| Fig. 2.3. | Fast-Fashion Production and Consumption Cycle Components Reducing in Relevance. | 18 |
| Fig. 2.4. | Fast-Fashion Production and Consumption Cycle: Value Creation Marketing Influencer Focus. | 19 |
| Fig. 2.5. | Fast-Fashion Production and Consumption Cycle: Potential for Value Creation. | 20 |
| Fig. 4.1. | Meadows 12 Places for Systems Change Interventions. | 46 |
| Fig. 6.1. | Black Lives Matter Badge Pinned on Yellow Dress. | 68 |
| Fig. 6.2. | Yarn Bombing for Ukraine. Image of Yarn Bomb Knitted Post Box Topper with 2 Ukraine Flags, in Solidarity for Ukraine. | 70 |
| Fig. 6.3. | Yarn Bombing for Ukraine. Image of Street Art Post Box Topper with Colours of Ukraine Flag with Knitted Sunflowers, the National Flower of the Country. | 70 |
| Fig. 6.4. | Yarn Bombing to Bring Attention to Saving the Bees. Image of Knitted Bumble Bee on Post Box Topper. | 71 |
| Fig. 6.5. | Save the Bees. Knitted Yarn Bombing Bees with Written Advice on What People Might Do to Take Action. | 71 |
| Fig. 7.1. | Photo by Francois Nguyen on Unsplash. | 80 |
| Fig. 7.2. | Photo by Bhuwan Bansal on Unsplash. | 82 |
| Fig. 7.3. | XR Funeral March from Trafalgar Square to 180 The Strand. | 83 |
| Fig. 8.1. | Rogers’ Innovation Adoption Curve. | 98 |
| Fig. 8 2. | Fashion Industry Competitive Landscape. | 99 |
| Fig. 8.3. | Virtuous and Vicious Fashion Innovation Cycles. | 102 |
| Fig. 11.1. | Application of Modest Fashion as a Growth Strategy for Fashion Brands in the UK. | 133 |
| Fig. 12.1. | ‘Le Noir et le Blanc’, Au Bon Marché, Winter 1963–1964, p. 101, Private Collection. | 142 |
| Fig. 12.2. | ‘Vêtements Pour Enfants, Garçonnets et Fillettes’, La Belle Jardinière, 1932, Front Cover. | 143 |
| Fig. 12.3. | ‘Devred a 50 ans’, Devred, 1952, Front cover, Private Collection. | 144 |
| Fig. 12.4. | ‘Modèles des Magasins du Louvre’, La Mode Illustrée, 6 Mai 1894, p. 141, Private Collection. | 144 |
| Fig. 12.5. | ‘Les Jolies Petites Sportives’, Au Bon Marché, 1973, p. 173, Private Collection. | 146 |
| Fig. 12.6. | ‘Nos Vêtements Pour Enfants et Babies’, La Belle Jardinière, Paris, Hiver 1934–1935, p. 12, Private Collection. | 147 |
| Fig. 12.7. | ‘Pre Teen-age’, Au Bon Marché, 1971, p. 58, Private Collection | 149 |
| Fig. 12.8. | ‘Rentrée des Classes’, Au Bon Marché, 1965, np. | 151 |
| Fig. 13.1. | Map of SSA Countries. | 157 |
| Fig. 13.2. | How Global Brands Appraise Apparel Sourcing Opportunities From Countries. | 158 |
| Fig. 13.3. | AGOA Apparel Exports. | 159 |
| Fig. 13.4. | World Bank Growth Model. | 160 |
| Fig. 13.5. | Per Capital Apparel Exports to the United States in 2004. | 163 |
| Fig. 14.1. | Conceptual Framework for Sustainable Fashion Consumption Within the Circular Fashion System. | 176 |
| Fig. 14.2. | Two Main Functions of the Circular Economy. | 177 |
| Fig. 14.3. | Drives and Barriers of CFC. | 180 |
| Fig. 19.1. | Ethical Made Easy Instagram Post – November 2021 from ‘Project Stopshop’. | 233 |
| Fig. 22.1. | The FIBE Ecosystem of Influencer Brands and Their Followers. | 270 |
| Fig. 22.2. | FIBE Formation. | 270 |
| Fig. 22.3. | Transformational Process of Influencers from Individuals to Influencer Brands. | 271 |
| Fig. 22.4. | Influencers’ Social Identity Formation. | 271 |
| Fig. 22.5. | The Core Social Motives. | 272 |
| Fig. 22.6. | Influencers’ Personal and Social Identities. | 273 |
| Fig. 23.1. | The Effect of the BSR in the Product Development Process with the UK FF Market. | 280 |
| Fig. 23.2. | Key Factors that Improve and/or Mitigate Against an Impact of Collaboration Both Present and Future. | 281 |
| Fig. 24.1. | The Trajectory of Earth Overshoot Day over the Last 50 Years. | 293 |
| Fig. 24.2. | Country Overshoot Days. | 293 |
| Fig. 24.3. | Honeycomb of Hope. | 297 |