The collage consists of 16 images arranged in a 4x4 grid. Panel A1 shows a pile of brick, concrete and stone fragments. Panel A2 depicts two persons sorting through a pile of concrete and stone fragments. Panel A3 shows a pile of scrap metal. Panel A4 displays a pile of scrap metal, including kitchen counter tops. Panel B1 shows two used doors. Panel B2 depicts a row of used doors. Panel B3 shows a stack of wooden windows and doors. Panel B4 displays a large gray panel with spray painted letters on it. Panel C1 shows stacks of used white marble sheets. Panel C2 depicts a collection of aged building elements leaning against a wall. Panel C3 shows a collection of marble mantelpieces. Panel C4 displays a red metal rack filled with sorted metal profiles. Panel D1 shows a rolled up white textile. Panel D2 depicts stacked timber. Panel D3 shows a stack of metal shelving components. Panel D4 displays a collection of colorful buoys.To gather used materials, a series of excursions were conducted to reuse retailers, recycling plants, and to the Triennial's warehouse where leftover materials from previous triennials were stored. First row, recycling plants: 1. Jan Haeck; 2. Corneillie; 3, 4. Heindryckx. Second row, reuse retailers: 1, 4. Lecomte; 2, 3. Rotor DC. Third row, reuse retailers: 1. Rotor DC; 2, 3. Vanhaelemeesch: 4. Bart. Fourth row, the Triennial's warehouse. Source: Authors' own work (2023)
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