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Explores possibilities for an expanded critical feminist accounting in the context of feminist theory as developed in the important feminist literary criticism literature of the 1970s and 1980s. Develops a series of six theoretical platforms as potential starting points on which a feminist accounting may (or may not) wish to be based; both Anglo‐American and French feminist traditions are engaged. Also examines institutional questions regarding the conditions of possibility for various kinds of theorizing.
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© MCB UP Limited
1992
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