Artisan Entrepreneurship

Artisan Entrepreneurship

EDITED BY

VANESSA RATTEN

La Trobe University, Australia

PAUL JONES

Swansea University, United Kingdom

VITOR BRAGA

Porto Politecnico, Portugal

and

EDUARDO PARRA-LÓPEZ

Universidad de La Laguna, Spain

United Kingdom – North America – Japan – India – Malaysia – China

Emerald Publishing Limited

Howard House, Wagon Lane, Bingley BD16 1WA, UK

First edition 2022

Editorial matter and selection © 2022 Emerald Publishing Limited.

Individual chapters © 2022 Emerald Publishing Limited.

Published under exclusive licence

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British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

ISBN: 978-1-80262-078-8 (Print)

ISBN: 978-1-80262-077-1 (Online)

ISBN: 978-1-80262-079-5 (Epub)

List of Figuresvii
List of Tablesix
List of Contributorsxi
Acknowledgmentsxii
Chapter 1: Artisan Entrepreneurship: An Overview 
Vanessa Ratten1
Chapter 2: Handicraft Entrepreneurship 
Vanessa Ratten13
Chapter 3: Kazuri Beads – A Case Study on Motivating Talent and Knowledge Transfer in an Artisan Business 
Natasha Katuta Mwila25
Chapter 4: Small Business Owners and Social Media Behavior: How Entrepreneurs Use and are Used by New Digital Platforms 
Alina Sawy and Dieter Bögenhold33
Chapter 5: Wine Artisan Entrepreneurship 
Vanessa Ratten47
Chapter 6: Crises, Innovation and the Co-opetition: Entrepreneurial Responses to the Covid-19 Crisis 
Sandeep Bhasin and Bhawna Kumar57
Chapter 7: Portuguese Handicrafts and Artisan Entrepreneurship 
Vanessa Ratten, Vitor Braga and Jose Antonio Oliveira73
Chapter 8: Survivability of MSMEs in Maluku: An Analysis on Challenges, Opportunities and Strategic Development 
Arthur Sitaniapessy, Petrus Usmanij and Vanessa Ratten87
Chapter 9: Managing Value Co-creation in Partnerships for Sustainability: Toward a Process Model for Stakeholder Integration 
Guido Grunwald, Jürgen Schwill and Anne-Marie Sassenberg99
Chapter 10: Funding and Performance Pattern Matrix in the Startup Phase: A Study of Startup MSMEs in Indonesia 
Maria Rio Rita, Ari Budi Kristanto, Yeterina Widi Nugrahanti and Petrus Usmanij127
Chapter 11: Artisan Gastronomy in Tourist Destinations: A Business Opportunity 
Eduardo Parra-López, Almudena Barrientos-Báez and José Alberto Martínez-González161
Chapter 12: Artisan Entrepreneurship: Future Trends 
Vanessa Ratten and Petrus Usmanij171
Index183
Fig. 4.1Shares of Solo Self-employment of the Total Self-employment at the Example of the EU and Selected European Countries – in Percentages37
Fig. 4.2Frequency of Professional and Private Social Media Use – in Percentages39
Fig. 4.3Types of Platforms According to Professional and Private Use – in Frequencies/Multiple Responses Possible40
Fig. 6.1Cooperating with the Competition during Crisis: Process Innovation65
Fig. 6.2Co-opetition Stages68
Fig. 9.1Goal Categories in Partnerships for Sustainability110
Fig. 9.2A Process Model of Stakeholder Integration118
Table 1.1Managerial Implications of Artisan Entrepreneurship10
Table 4.1Strong Agreement to Reasons for Social Media Use – in Frequencies41
Table 6.1The Chronology of Covid-19 Vaccine Development61
Table 6.2The Phases of Vaccine Development62
Table 6.3Time Taken to Develop Vaccines for Killer Diseases over Centuries62
Table 9.1Catalog of Questions for the Pre-selection of Stakeholders for Integration112
Table 10.1Funding Pattern of MSMEs/Startup Companies132
Table 10.2Classification of the Bootstrapping Funding Method138
Table 10.3Evaluation of Startup Business Performance Based on Financial Indicators140
Table 10.4Evaluation of Startup Business Performance Based on Non-financial Indicators143
Table 10.5Startup Business Funding Pattern Matrix Based on Entrepreneur Characteristics146
Table 10.6Startup Business Funding Pattern Matrix Based on Business Characteristics147
Table 10.7Startup Business Funding Pattern Matrix Based on Environmental Factors149
Table 10.8Complexity, Compatibility, and Performance Measurement Approach Matrix151
Table 12.1Content, Context and Method for Future Research Questions173
Table 12.2Comparison between Positivist, Interpretative and Social Constructionist Views of Artisan Entrepreneurship174
Table 12.3A Roadmap for Future Research on Artisan Entrepreneurship175
Almudena Barrientos-BáezEuropean University of Madrid, Spain
Sandeep BhasinAmity University, India
Dieter BögenholdKlagenfurt University, Austria
Vitor BragaPorto Polytechnic, Portugal
Guido GrunwaldOsnabrueck University of Applied Sciences, Germany
Paul JonesSwansea University, United Kingdom
Ari Budi KristantoSatya Wacana Christian University. Indonesia
Bhawna KumarAmity University, India
José Alberto Martínez-González University of La Laguna, Spain
Natasha Katuta MwilaDe Montfort University, United Kingdom
Marthin NanereLa Trobe University, Australia
Yeterina Widi NugrahantiSatya Wacana Christian University, Indonesia
Jose Antonio OliveiraPorto Polytechnic, Portugal
Eduardo Parra-LópezUniversity of La Laguna, Spain
Vanessa RattenLa Trobe University, Australia
Maria Rio RitaSatya Wacana Christian University. Indonesia
Anne-Marie SassenbergUniversity of Southern Queensland, Australia
Alina SawyKlagenfurt University, Austria
Jürgen SchwillBrandenburg Technical University of Applied Sciences, Germany
Arthur SitaniapessyPoliteknik Negeri Ambon, Indonesia
Petrus UsmanijLa Trobe University, Australia

Editing this book has been a good experience due to the help of Niall Kennedy. We thank him very much for his support in editing this book about artisan entrepreneurship. As this book has been edited during the current COVID-19 context, it is helpful to think about how artisan entrepreneurs around the world are responding to the change. There has also been more people due to lockdowns and working from home being able to partake in artisan pursuits. This is an interesting change in the global economy and is highlighting the cultural and societal significance that artisans play in the global economy. Each of the editors would also like to thank the following people:

I would like to dedicate this book to my mum Kaye Ratten. I have fond memories of her knitting me a blue cardigan when I was in my teenage years that I wore for a long time. Whilst I cannot knit she did try to teach me this handicraft. My mum also really liked pottery and I remember her making pottery in the backyard shed. Thus, it is crucial that handicrafts like knitting, pottery and other artisan pursuits continue in order to preserve the cultural heritage and family traditions. I also thank my dad David Ratten who has long been interested in artisan pursuits particularly that concerning photography, cooking and painting. Lastly, I thank my brothers Stuart and Hamish, sister in law Tomomi and niece Sakura. Thank you for your support.

Vanessa Ratten

I would like to thank all the contributors to the book including authors, reviewers and the publishing team for their efforts in taking this book to completion.

Paul Jones

I thank the School of Technology and Management – Porto Polytechnic for the institutional support, in particular to my colleagues in the Business Sciences department for their enthusiasm and constant willingness to help. I also thank to my family and close friends, for their honest support throughout life.

This work has been supported by national funds through FCT – Fundação para a Ciência e Tecnologia through project UIDB/04728/2020.

Vítor Braga

I would like to thank all the contributors to the book including authors, reviewers and the publishing team for their efforts in taking this book to completion.

Eduardo Parra-López