Part 4: Representation (Sectional Synopsis)

This section on ‘Representation’ (Chapters 15–18) is central to the role of galleries, libraries, archives, and museums [GLAM] as repositories of knowledge of which they are custodians and with how they are authorised to disseminate it. Curation of materials may be represented in, but not limited to, multiple formats, including digital, text, photographic, and others, immersively or as a series of exhibited artefacts. To what extent does GLAM’s role limit the interpretation and engagement with these represented datasets? Are the cultural protocols of culturally sensitive materials outsourced to the Traditional Knowledge Holders? Are there limitations of the built space that contribute to the limited modes of delivery and narrow forms of representation? What is the role of representation of cultural objects and its data curation in reconnecting people to their histories? How might co-design with developed shared knowledge and insights promote positive engagement cross-culturally? Can colonial data and apparatus be reconceptualised and repositioned to find new ways of engaging with the world? How might the interconnections and insights presented in the visual arts facilitate new ways of knowing? These are significant questions that may prepare GLAM as the fertile ground for the future paradigm shift as new types of knowledge centres.