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The artwork shows the first figure in the silhouettes, posed with raised arms facing inward, holding on to individual figures, who are standing on their toes.The artwork shows the first figure in the silhouettes, posed with raised arms facing inward, holding on to individual figures, who are standing on their toes. Close modal
The artwork shows the first figure in the silhouettes, posed with raised arms facing inward, holding on to individual figures, who are standing on their toes.The artwork shows the first figure in the silhouettes, posed with raised arms facing inward, holding on to individual figures, who are standing on their toes.Before the day’s work begins—before the spreadsheets are opened and the statistical models are run—there is a quiet ritual. In my Washington, D.C. home, there is a room filled with art, whiskey, and books. As the first light of dawn spills through the windows, it does not find sterile white walls. It finds color and texture, stories etched in canvas and carved in wood. On one wall, a particular piece catches the morning sun. It hangs in a dark, mahogany frame, its intricate carvings grounding it in the present. But the art comes from a specific time, a specific place of challenge.
© 2026 Ivory A. Toldson. Published under exclusive licence by Emerald Publishing Limited
2026
Ivory A. Toldson
Licensed reuse rights only
