Originally published in 1971, Frank Willett's African Art still retains its place as a central text in courses teaching the study of African art. Now in a new edition, the text has been updated throughout with new plates reflecting the richness and diversity of African art. Africa has more distinct peoples and cultures than any other continent and this classic study aims to reveal some of the variety and expressive power of its art forms.
The first edition of this book was produced in response to the author's dissatisfaction with the literature available when he began to teach the study of African art. The book focuses primarily on the principles of the study of African art based on case studies. These studies, which are retained in this edition, are drawn largely from Nigeria as this area of Africa is best known to the author. The aim of the second edition remains the same: that is, to demonstrate principles through case studies. However, the scope of the earlier book has been broadened beyond sculpture south of the Sahara to include prehistoric art, architecture and an overview of the contemporary art scene.
A book of this length (272 pp.) can only be an introduction to a subject of this size. Seven chapters outline various aspects of the study and history of African art. The first chapter introduces the reader to Africa and the impact of its geography on its artistic output, and the influence of Western and Islamic cultures. Nomadic tribes, such as Bushmen and Pygmies had to migrate in the pursuit of game and thus, their homes were very simple, giving little scope for architectural development. Music and dancing were far more highly developed in these societies than plastic arts. The more settled agricultural peoples produce most of the well known sculpture of Africa. Subsequent chapters explore the development of the study of African art, the history of African art, African sculpture and contemporary African art. The final chapter provides an illustrated guide to recent research and publications on more diverse art forms, such as textiles and costume, pottery and iron working. An updated and extensive bibliography concludes this publication.
This book remains the finest general introduction to African art. This exemplary study is packed with information, revealing the diversity of this continent's art forms. It is an invaluable resource for students and anyone interested in African art.
