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This paper selects social semiotic and critical discourse concepts and argues their suitability as an analytical technique for application to the visual elements in corporate positioning literature. Based upon these arguments the paper develops a methodology for use by senior practitioners. The motivation was informed by the author’s belief that despite the increasing importance of the visual as opposed to written comunication many practitioners, because of their background in the written word, have difficulty expressing their corporate positioning messages in visual terms. Visual elements in this case refer to photographs, design systems, page layouts and the materiality of the text. The author suggests that, through the use of templates, informed practitioners can evolve a visual grammar that will help reduce subjective decision making and thus improve meaning transfer.

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