Sensuality is a dynamic that has driven fashion to undergo endless changes and left distinctive imprints on the style of each period. Particularly in the fashions of the 19th century, sensuality played a crucial role in shaping the essence of contemporary dress aesthetics, as well as the physical form of the dress. This study begins by questioning how sensuality, a concept of ideal aesthetics, can be represented in a visual form. In order to provide the answer to this question, the formative representation of sensuality in 19th century fashion is examined by considering the major factors that affect dress form, such as silhouette, material, the body and movement, and space. Based on the analysis, a close connection between sensuality and the dress form designed to reflect the body and its movement is established. Interaction between the dress, body, and their surrounding space creates a discontinuous, changeable, and obscure silhouette, known to be a criterion of the open form. In conclusion, sensuality can be more explicitly and conspicuously observed in dresses through the formative characteristics of an open form. Fashions of the early, midand late 19th century are compared to illustrate the analysis.
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1 November 2012
Research Article|
November 01 2012
Formative Representation of Sensuality in 19th Century Fashion Available to Purchase
Jooyoung Shin
Jooyoung Shin
Institute of Textiles and Clothing, The Hong Kong Polytechnic University, Hong Kong tcshinjy@inet.polyu.edu.hk
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Publisher: Emerald Publishing
Online ISSN: 2515-8090
Print ISSN: 1560-6074
© 2012 Emerald Group Publishing Limited
2012
licensed reuse rights only
Research Journal of Textile and Apparel (2012) 16 (4): 59–70.
Citation
Shin J (2012), "Formative Representation of Sensuality in 19th Century Fashion". Research Journal of Textile and Apparel, Vol. 16 No. 4 pp. 59–70, doi: https://doi.org/10.1108/RJTA-16-04-2012-B007
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