Article navigation

Time was, back in the early 1960s, when books on film, fashion, popular music and television were limited to cheap biographies written for the mass market and not much else. The academic presses were still only catering for the highbrow arts and cultures and, whereas many volumes were being produced on Beethoven, Michelangelo and Jane Austen, very little information was available on The Who, Andy Warhol or Kurt Vonnegut. Information could only be gleaned from popular music papers such as The New Musical Express or Melody Maker in the UK or by word of mouth, so that authors such as...

You do not currently have access to this content.
Don't already have an account? Register

Purchased this content as a guest? Enter your email address to restore access.

Pay-Per-View Access
$39.00
Rental

or Create an Account

Close subscription notice
Close access options