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Over the past decade, a variety of digital imaging projects have been carried out in archives, libraries, and museums. This paper discusses the difficulties in moving from a series of digital projects to a digitization program, and the ensuing transformation in thinking from digital objects to digital assets that needs to occur. It also discusses the problems archives and museums face in managing, preserving, and providing continuing access to these digital assets and potential models for their long‐term management.
© Emerald Group Publishing Limited
2004
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