Business as usual in the music industry is over. Online music is a force to be reckoned with now and increasingly in the future. This paper first describes the current revenue streams and cost causers that characterize the traditional business model in the music industry. Then, the impact of the Internet on the current business model is described, especially as it relates to the distribution stage of the value chain in the record business. Also, the impact of the Internet’s disruption of the distribution stage on the state of existing copyright law, as manifested through the introduction of Napster’s peer‐to‐peer innovation, is explained. Third, an analysis of salient economic, political/legal, and technological issues arising from these changes on the entire industry is presented. Finally, the paper identifies characteristics of a viable business model in the music industry and offers lessons for other digital content industries.
Article navigation
Review Article|
April 01 2002
The impact of the Internet on the law and economics of the music industry
John B. Meisel;
John B. Meisel
John B. Meisel is a Professor in the Department of Economics and Finance, Southern Illinois University, Edwardsville, Illinois, USA.
Search for other works by this author on:
Timothy S. Sullivan
Timothy S. Sullivan
Timothy S. Sullivan is an Instructor in the Department of Economics and Finance, Southern Illinois University, Edwardsville, Illinois, USA.
Search for other works by this author on:
Publisher: Emerald Publishing
Online ISSN: 1465-9840
Print ISSN: 1463-6697
© MCB UP Limited
2002
Info (2002) 4 (2): 16–22.
Citation
Meisel JB, Sullivan TS (2002), "The impact of the Internet on the law and economics of the music industry". Info, Vol. 4 No. 2 pp. 16–22, doi: https://doi.org/10.1108/14636690210435767
Download citation file:
1,925
Views
New and popular articles
Suggested Reading
Music Distribution and the Internet: A Legal Guide for the Music Business
Library Review (March,2007)
Internet law comes of age
Internet Research (September,1995)
IPR in the ensuing global digital economy
Library Hi Tech (June,2001)
Copyright in the networked world: sound publication
Library Hi Tech (June,2001)
Inspiration or infringement: parody and the law
Library Review (March,2002)
Related Chapters
Collaborative Innovation Online: Entanglements of the Making of Content, Skills, and Community on a Songwriting Platform
Managing Inter-organizational Collaborations: Process Views
Organizing Uncertainty as an Asset in Creative Collaboration: A Comparison of the Music and Pharmaceutical Industries
Organizing Creativity in the Innovation Journey
Digitally Induced Industry Paradoxes: Disruptive Innovations of Taxiwork and Music Streaming Beyond Organizational Boundaries
Interdisciplinary Dialogues on Organizational Paradox: Learning from Belief and Science, Part A
Recommended for you
These recommendations are informed by your reading behaviors and indicated interests.
