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WITHIN THE PAST HALF CENTURY OR SO certain autobiographies have stood out from one's reading and reviewing, not always for their literary quality. Vera Brittain's Testament of Youth was a 1933 landmark because, sensitively, earnestly written, it achieved its author's aim: to show what the 1914 war and postwar period had meant to men and women of her generation, the changes wrought in the minds of a large section of the middle class, her own as daughter of a Staffordshire paper‐mill owner.

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