Local and regional entertainers typically perform without a star performer or national recognition. These performers are often an incidental backdrop for the festivities. Is audience satisfaction with the group more than a summation of the satisfaction with individual performers; do factors surrounding the performance aid in determining audience satisfaction? Answers to these questions may allow event planners to engage performers likely to increase event success. This paper develops a model of audience satisfaction with live performances, which began using a theory developed by Grove et al. in 1992. This theory was modified as a result of further conceptualization, qualitative data analysis, and survey results. Results suggest consumers judge performances as the sum of several components, including both elements of the performance and the setting.
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1 January 2004
Research Article|
January 01 2004
Rock on! An elementary model of customer satisfaction with musical performances Available to Purchase
Michael S. Minor;
Michael S. Minor
Professor of Marketing Management, Marketing, and International Business, The University of Texas – Pan American, Edinburg, Texas, USA.
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Tillmann Wagner;
Tillmann Wagner
Doctorial Candidate at the University of St Gallen, Switzerland.
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F.J. Brewerton;
F.J. Brewerton
Professor of Management, The University of Texas – Pan American, Edinburg, Texas, USA.
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Angela Hausman
Angela Hausman
Professor of Marketing, The University of Texas – Pan American, Edinburg, Texas, USA.
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Publisher: Emerald Publishing
Online ISSN: 2054-1651
Print ISSN: 0887-6045
© Emerald Group Publishing Limited
2004
Journal of Services Marketing (2004) 18 (1): 7–18.
Citation
Minor MS, Wagner T, Brewerton F, Hausman A (2004), "Rock on! An elementary model of customer satisfaction with musical performances". Journal of Services Marketing, Vol. 18 No. 1 pp. 7–18, doi: https://doi.org/10.1108/08876040410520672
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