Open figure viewer
In 1980 Anselm Kiefer shared the German platform at the Venice Biennale with Georg Baselitz, and their artwork on display caused international reaction and national scandal and controversy over the “Germanness” of their work. Since then Kiefer has been regarded as an artist of international reputation, who is known for commenting on Germany’s situation in the world.
Daniel Arasse takes this exhibition as his starting‐point for this major monograph on Kiefer, looking at his work from both a thematic and a chronological perspective. Arasse attempts to analyse the very essence of Kiefer’s work, which he describes as a labyrinth, as...
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