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“To offer a simple definition of the New Woman would trivialize a complex phenomenon. There is no single vision or image of the New Woman. In fact, it is the multidimensional aspect of the woman of the late nineteenth and early twentieth centuries that characterizes them” (p.5). In her annotated bibliography The New Woman in Print and Pictures, Marianne Berger Woods sets out to create a “tribute to the women who did march for abortion rights, for women's rights, for human rights”(p.1) through a collection of primary sources (articles, novels, cartoons, and poems created between the years of 1894...
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